“New Album” (2011) by Boris

May 10, 2011

Creatively titled “New Album” is the first of three full-length Boris records (and one shared LP with Merzbow) so far this year; and, living up to its name, New Album sticks out like a sore thumb in a sea of happy, healthy thumbs that make up Boris’ back catalogue. All traces of Boris’ position as one of the world’s leading noise bands are totally shunned to make way for a melody-heavy, shoegaze, almost Visual Kei record. Yes, it’s a “New Album”, as this is unlike anything Boris has ever done and likely will ever do again.

Every song sounds totally different. There’s ballads, the hardstyle-influenced techno, straight J-Rock; and no drone. Forgive me for preoccupying over that, but the idea of a Boris album without noise is like Brokencyde without awful – it just doesn’t happen. It hasn’t happened, and it never will happen. At least, I thought it never would. This isn’t to say it’s a bad record, just unexpected.

I can dwell upon how different New Album is, or, I can shut up and review it. Boris sound like a band that, after nearly twenty years of having crafted their own ground in the music world, slipped, fell, hit their head, had a laugh about it, and released an album in hindsight. This is the product. The fact that it is one of four released in the space of three months emphasizes just how little time must have gone into the production – instead, it seems like their tongue was firmly in their cheek while they laughed at themselves quietly.

That being said, I don’t want to give anyone the impression that this is a bad record. Because that’s not true. New Album is Boris saying to the world “Hey, yeah, we can play drone, but look what else we can do too!”. And while it’s a huge departure from their usual formula, it’s nice to hear a band break away from expectations every now and again, especially when the expectations are so firmly rooted into one broad genre (no, not as broad as “rock”, I just didn’t know a better way to put it).

Boris’ New Album is just that. New. Once again a veteran band thwarts all expectations of them, presenting themselves in a totally different light. Will it stick? Well, after listening to its two successors (“Attention Please” and “Heavy Rocks”), no. Boris are doing what they do best. But if you can’t get yourself into the noisy goodness of Boris’ traditional style, New Album would be a good place to start. It’s nothing that unique in the grand scheme of things, but for Boris, it’s the white elephant.

7.1


"Lost Souls" (2000) by Doves

January 5, 2010

I heard about this group, um, about three days ago when a friend gave me this record amongst 50 gigabytes of other music while we were sharing (don’t sue). I added it to my 80 other records that I had to listen to to make a credible best-records-of-the-decade list, however I admit that I wasn’t really expecting much.

The first track really impressed me. My friend had tagged the record as ‘indie rock’, so I was expecting a Strokes-esque rocking record. I was completely wrong. Lost Souls is full of lush, string filled ornamentation and thick textures. The opener blew my brain from my skull, not because it was amazing, but because I was totally not expecting it.

The album continues in this vein. The songs seem to be more centered around the instruments than the vocals, but the vocals still play a major part in the work as a whole. The record is really one that has to be repeatedly listened to as a whole to be fully appreciated – it has that ‘epic’ album quality that records by other bands such as Radiohead and Eels possess.

The vocalist’s voice is perfect for this music. He sings powerfully and sounds slightly depressed, adding a melancholy element to the music. In addition, it’s very rare to find a record with no filler, but this one pulls it off near-perfect.

As a record by a British band that originated in the 90’s, critics were quick to lump Doves in with the Radiohead +imitators group – such as Travis, Coldplay, etc. Listening to Lost Souls, however, it is hard to see how they can be compared with such bands. Lacking is the angst and edginess contained in Radiohead’s first three records (the ‘rock’ era); instead, it is full of lush instrumental sections and clean, crisp sounds.

Original, underappreciated, lush to the point of nearly shoegaze-y, and well worth a listen.

7.7
Choice tracks: Firesuite, Sea Song, The Man Who Told Everything, A House


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